What you can expect from a veridoly project
Every project follows the same order of work, whatever its size. We assess the room and the programme, draw the system on paper, install it, test it and then hand it over. Keeping that order means decisions are made when they are cheapest to change, and you always know which stage the work has reached.
Documentation is treated as part of the deliverable rather than an afterthought. Signal flow diagrams, patch lists, lighting plots and equipment settings are written as the work proceeds and given to your team at handover. Years later, an engineer who never met us can still understand how the studio is put together.
Training is built into the end of the job. Sessions are held at the desk and on the studio floor, using your own programmes and run sheets. Crew members practise daily operation, learn how to spot and isolate faults, and are shown the routine maintenance that keeps the studio dependable.
We prefer to be plain about what a job involves. A written quotation sets out what is included, what is not and what could change the scope, such as a room that needs more acoustic treatment than first expected. You can then decide with the full picture in front of you.
Our team keeps its roles distinct. Daniel Prowse handles signal flow and documentation, Priya Nair plans lighting and camera positions, Tom Whitcombe measures and treats the room, and Helen Marsh oversees planning, budgets and delivery. You deal with the person who knows the subject.
